A few months ago, sound designer Gurwal Coïc-Gallas got a call from sound superviser Guillaume Bouchateau asking him to join the team for Luc Besson’s latest project, Lucy. Gurwal was tasked with creating sound design libraries that the editors could draw upon when creating the special effects. In particular, Gurwal was asked to focus on:
  • Organic cellular movement (when Scarlet Johansson’s body is transforming)
  • Electromagnetic fields (because she can see electromagnetic fields) and
  • Voice effects (on her thoughts)
Gurwal used Kyma cross-synthesis on all the sounds and is enthusiastic about the results: “The movie is great, huge, surprising, probably one of Besson’s best, and the soundtrack is amazing!”

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