Mar 172015
 

In Reimagined : Synthesized Soundscapes of California, sound artist Micah Frank re-imagines the parched landscape of drought-striken California through field recordings collected on site and then spectrally dissected, manipulated and resynthesized through additive, granular and filter bank resynthesis in Kyma 7.

 

Through a combination of low rainfall and high temperatures, California is experiencing its worst drought in 1200 years. From September through October 2014, Micah Frank embarked on a soundscape ecology project to create a sonic profile of California parks, their biophonies and geophonies. But to his surprise, each park he visited was like a ghost world. Although he was able to capture geophonic sounds like wind and rain, there were almost no biophonic sounds of birds or other animals.

His starkly reimagined soundscape was generated entirely from the field recordings processed through spectral analysis and resynthesis.

Nov 232014
 

Tune in your shortwave radio and establish a comm link; Transmission Apparatus is Unidentified Sound Object’s new recombinant construction kit for creating a broad range of communication sounds, from real to “alien” broadcasting signals. The library contains more than 2 GB of data, delivered in 373 files of unique sound material, including radio samples, unintelligible voices and Kyma-synthesized noises.  Here’s an audio demo! 

Unidentified Sound Object is an independent sound effects libraries publisher offering high resolution sound effects and virtual instruments for film, games and music creations, launched by Matteo Milani in 2011. All of the audio files have been loudness-normalized, based on the recommendations of the European Broadcast Union, and embedded with metadata for detailed and accurate searches in your software asset management.

Kyma transforms Lucy

 Film, Release, Sound Design, Sound for picture  Comments Off on Kyma transforms Lucy
Jul 282014
 
A few months ago, sound designer Gurwal Coïc-Gallas got a call from sound superviser Guillaume Bouchateau asking him to join the team for Luc Besson’s latest project, Lucy. Gurwal was tasked with creating sound design libraries that the editors could draw upon when creating the special effects. In particular, Gurwal was asked to focus on:
  • Organic cellular movement (when Scarlet Johansson’s body is transforming)
  • Electromagnetic fields (because she can see electromagnetic fields) and
  • Voice effects (on her thoughts)
Gurwal used Kyma cross-synthesis on all the sounds and is enthusiastic about the results: “The movie is great, huge, surprising, probably one of Besson’s best, and the soundtrack is amazing!”

Organic sound, Bach, Lübeck, Kyma, and KISS2014

 Concert, Conference, Event, Festival, Learning, Seminar, Sound Design  Comments Off on Organic sound, Bach, Lübeck, Kyma, and KISS2014
Jul 282014
 

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Everyone knows J.S. Bach as a composer, but it turns out he was also a music-technology enthusiast and a sound designer, having spent many hours of his childhood hanging out at the local organ workshop, fascinated with what was the state of the art in sound synthesis technology. Throughout his life, Bach continued to support experimental musical instrument development (like the forte-piano and the bassono grosso) and his experience with the organ (aka additive synthesis), led him to experiment with creating new timbres in his instrumental music through unusual voicings and instrument combinations. In fact it was his technical expertise, as much as his mastery of organ performance, that landed him his first post at the New Church in Arnstadt, where, at age 18, he was hired to both play and maintain the organ there.

Kungsleden_trailIn October 1705, the then 20 year-old Bach requested a one-month leave of absence from his post in Arnstadt so he could visit the famed organist/composer Dieterich Buxtehude in Lübeck Germany. Obviously, Bach didn’t have a car, so he ended up walking the 250 miles to Lübeck, where he was so intrigued by what he heard, he stayed for an extra two months. We don’t know exactly what happened to Bach in Lübeck, but we do know the experience had a deep influence on both his music and his ideas for new instrument designs throughout the rest of his career.

On 25-28 September 2014, we invite you to undertake your own music-technology and sound-design pilgrimage to Lübeck for KISS2014. At KISS2014, you can immerse yourself in sound and ideas, surrounded by an international community of sound-technology enthusiasts who share your passion for sound, music, and the future of musical instruments. And, like Bach, you’ll return home refreshed, renewed, and with enough new ideas, contacts, and friendships to keep you motivated and inspired for your entire career.

Whether you’re a Kyma expert, new to Kyma, or are simply curious about what Kyma might be and why it inspires so much enthusiasm among composers, live performers, sound designers for film and games, researchers, and educators, KISS2014 is your opportunity to experience an inspiring four days of ideas, music, and interaction with your fellow music/technology/sound enthusiasts.

Registration open until 25 September 2014

Registration includes access to paper sessions, demonstrations, workshops, the Kyma open lab, opening reception and all evening concerts, plus a free lunch with your fellow symposiasts each day: http://kiss2014.symbolicsound.com/kiss2014-registration

For travel and lodging information, please visit: http://kiss2014.symbolicsound.com/travel-and-lodging

More information

Get the latest KISS2014 news and updates:

KISS2014 Site: http://kiss2014.symbolicsound.com
Facebook: https://www.facebook.com/pages/Kyma-International-Sound-Symposium/241910735840451
Twitter: http://twitter.com/KymaSymposium

Contact the organizers: mailto:info.kiss2014@gmail.com

 

Roland Kuit in Stockholm, New York, Edinburgh

 Concert, Event, Film, Game, Sound Design, Sound for picture, Studio  Comments Off on Roland Kuit in Stockholm, New York, Edinburgh
Jul 282014
 
Composer/researcher/sound designer Roland Kuit is currently composer-in-residence at the EMS in Stockholm working on a project that combines their Buchla 400 with Kuit’s Kyma/Pacarana system.

He is also at work creating new pieces for Pacarana and Chicago based composer/conductor Renee Baker‘s Chicago Symfonietta to be premiered in New York this fall, and you can hear him lecture on modular sound design for TV and games the Napier University in Edinburgh in February 2015.  Check out his full calendar here.

Kyma Spectum Editor in Tesseract Portal Device

 Event, Film, Game, Installation, Sound Design, Sound for picture  Comments Off on Kyma Spectum Editor in Tesseract Portal Device
Jul 282014
 

Sound designer François Blaignan had an opportunity to apply Kyma in an unusual way in his work on the interactive multimedia exhibition Marvel’s Avengers STATION (Science Training and Tactical Intelligence Operative Network) now on display in Time Square in NYC and featured in this month’s Mix magazine. The 10,000-square-foot installation is a space where Avengers fans can immerse themselves in characters and artifacts associated with the Avengers.

 For the Tesseract Portal Device, the installation designers were having a hard time matching the look of the spectrograms of X-rays, infrared, and gamma rays provided to them by NASA.  So Blaignan created an animation using stills from Kyma’s spectrum editor and synched it to the Tessaract sound from the movie for a perfect match.

Kyma wasn’t a totally silent partner on the project; it also played a role in creating the sounds of the particle accelerator in Banner’s lab.

From Organs to Organs — KISS2014: Organic Sound

 Concert, Conference, Event, Festival, Learning, Software, Sound Design, Sound for picture  Comments Off on From Organs to Organs — KISS2014: Organic Sound
Jun 192014
 

Workshops, Talks, and Live Performances on “Organic Sound”

From organs (biological) to organs (musical), this year’s Kyma International Sound Symposium (KISS2014), to be held in Lübeck Germany on 25-28 September 2014, will explore multiple meanings of the phrase “organic sound” through technical talks, live performances, and hands-on workshops. Sound designers, composers, and live performers are invited to participate in a wide range of thought-provoking activities including:

  • An examination of how to emulate the organic sound of the analog recording studio using Kyma, presented by composer/sound engineer Greg Hunter of Dub Sahara
  • A special evening of “pipe organs like you’ve never heard them before” in the experimental, virtuosic hands of master organist/composer Franz Danksagmüller and his students
  • Intensive afternoons in The Collaboratory creating and rehearsing several world premieres including a live sound track for a new film by experimental filmmaker Theo Lipfert performed by faculty and students of the Musikhochschule Lübeck processed through Kyma
  • A hands-on “plantification” workshop where you’ll learn from Rudi Giot and his graduate engineering students how to control Kyma sounds through the growth of living plants

Events will kick off on Thursday with the unveiling of a major new release of the Kyma software and will culminate on Sunday with an evening of dancing to Kyma beats at club Parkhaus. The full program is online at: http://kiss2014.symbolicsound.com/detailed-program

Stummfilmprojekt

About the Symposium

KMHHosted this year by Franz Danksagmüller and the Musikhochschule Lübeck, each morning of KISS2014: “Organic Sound” features technical/philosophical sessions on topics ranging from voice processing, to sonification of organic chemicals and the Internet, to organic growth and decay, to how to build your own performance controller and use it to control Kyma via OSC, to presentations by individual composer/performers detailing how they utilize Kyma in their live performances and installations.

Afternoons are dedicated to interaction and hands-on activities including open rehearsals of collaborations-in-progress in The Collaboratory, a workshop on Conduction ensemble improvisation techniques presented by London Improvisers Orchestra trombonist and Kymaist Robert Jarvis, and the Kyma Open Lab where Kyma experts (Jeffrey Stolet, Cristian Vogel, Bruno Liberda, Scott Miller, Kurt Hebel, Carla Scaletti and others) will be on hand to answer your questions and consult with you on your current projects.

Franz foreground recording two percussionist

This year’s KISS features more live performances than ever before, with concerts every evening showcasing some of the best work created in Kyma this year, presented in the acoustically perfect MHL Große Saal and the Jakobikirche Lübeck with its three historically important pipe organs, famously decorated with faces on every pipe.

Check out the exciting lineup of presenters, composers, performers and Kyma experts here.

Who should attend

organ pipesAnyone who lives for sound — whether you are a novice looking to kickstart your career, an expert seeking a fresh jolt of inspiration, or simply someone who is curious about sound and Kyma — you will find in KISS2014 a chance to meet kindred spirits and immerse yourself in sound and ideas for four intense and inspiring days and nights of non-stop discussions, interactions, music and sound design.

Here’s how Chicago-based sound designer and re-recording mixer, Dustin Camilleri (http://www.pulsetrain.net) describes his experience at a previous KISS:

“…The unique thing about Kyma, I find, is that it appeals to such a wide spectrum of people doing such an amazingly diverse set of things, but sharing a common language. The conversations I had were so incredibly inspiring; the performances I saw were just over the top, and the community at large was just some of the nicest most genuine people I’ve ever had the pleasure of spending some time with.”

Registration and travel

Registration is now open: http://kiss2014.symbolicsound.com/kiss2014-registration. Discounts are available for students and for anyone registering before 1 August 2014.

For travel and lodging information, please visit: http://kiss2014.symbolicsound.com/travel-and-lodging

More information

Stay apprised of the latest KISS2014 news:

KISS2014 Site: http://kiss2014.symbolicsound.com
Facebook: https://www.facebook.com/pages/Kyma-International-Sound-Symposium/241910735840451
Twitter: http://twitter.com/KymaSymposium

Contact the organizers: mailto:info.kiss2014@gmail.com

Kymama mia, it sounds pretty cool™

 Game, Release, Sound Design, Sound for picture  Comments Off on Kymama mia, it sounds pretty cool™
Jun 122014
 

Messages Image(932741848)

Jean-Edouard Miclot, sound designer for Killer Instinct Xbox One, recently posted this little homage to Kyma on his SoundCloud page:

Feb 172014
 

What if you could hear your music performed on a 500 year old organ that was once played by J.S. Bach? What if you could invent a new kind of live DJ set with Kyma and live percussion? Or work with an opera singer and a pop singer to develop new ways of transforming the voice in a live performance? What if you could spend several days experimenting with live Kyma-processing of strings, woodwinds, piano, percussion, and other acoustic instruments?

The Collaboratory is a “collaboration laboratory” where you can be part of a team of composers/performers/technologists inventing a new kind of live performance piece, live improvisation, live sound-track-to-picture performance, live DJ set or experimental live interaction involving Kyma and acoustic or electronic performers. The choices are yours, and the possibilities are limitless. Make a proposal and see what happens!

http://kiss2014.symbolicsound.com/the-collaboratory

National Illusion

 Film, Film Score, Release, Sound Design, Sound for picture, Sport  Comments Off on National Illusion
Feb 092014
 

Javier Umpierrez has just finished the sound design and music for a trailer for Ilusión NacionalOlallo Rubio‘s upcoming documentary on the history of Mexico’s national soccer team, that conveys the passion and the politics behind the world’s most popular sport.

In the trailer, Umpierrez used Kyma to create and control the vast, powerful crowd sounds as well as other sound design elements. Starting with a recording he made of a full-capacity crowd in Aztec Stadium, he’s been utilizing Kyma’s SampleCloud and controlling pitch and amplitude in real time using Kyma Control on the iPad.

Umpierrez is also doing the score and the sound design for the film itself, so we can look forward to even more awesome crowd effects and inspiring music when the film opens in April 2014.

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