Anna Martinova releases Dusha II

 Album, Release, Web site  Comments Off on Anna Martinova releases Dusha II
Feb 132017
 

Anna Martinova
DJ, producer, and graphic designer, Anna Martinova, has just signed with a new publisher who will be releasing her new album Dusha II in April 2017 and following up with videos and other artist collaborations. Watch Anna’s new web site for details on upcoming releases and live shows. Here’s a teaser for Dusha II drenched with mesmerizing and mysterious Kyma sounds:

Martinova works by generating WAV files in Kyma, arranging them in Logic, adding melodic lines created with Alchemy, and layering in recorded vocals using Logic and has linked her DAW with RolandCloud.

…Kyma (Pacarana) is very special tool, i am happy to be introduced to this system. It boosts up my creativity, inspiring me in every sound atom i generate with it, and the machine is limitless. The quality i have on the output is so powerful, clean and unique. I grow with it.

Known as Tulpa for her dark progressive DJ sets and Dusha for her chill out / ambient music, Anna got her start at age 17 as a vocalist in a rock band. After shifting to the psy-trance scene, she now lives in Amsterdam where she continues live DJing and producing.

Here’s a taste of her alter-ego, Tulpa:

The rocket scientist of human hearing

 Blog, Learning, Release, Science, Software, Web site  Comments Off on The rocket scientist of human hearing
Dec 292016
 

In 1999, astrophysicist/musician David McClain spent an intense three-month period working on The Northern Sky Survey, mapping the sky in the near infrared while getting by on an hour of sleep per night. When he finished the survey, he was suddenly struck by a viral infection that nearly killed him; his doctors were never able to determine the cause and, after three months, the infection dissipated almost as quickly as it had appeared. But afterward David noticed that he could no longer understand his wife when she was speaking to him. He went to an audiologist and discovered he had a sensorineural hearing loss of 60-70 dB in the high frequency range. Hearing aids helped him understand speech, but he was devastated to discover that music never sounded right through the hearing aids. But as a physicist, he was determined to solve the problem.

Motivated by his love of music and informed by his scientific training, McClain has spent the last 16 years developing equations to describe the entire hearing experience – from the cochlea, to the afferent 8th nerve, to processing in the central nervous system, efferent 8th nerve interactions — and developing signal processing algorithms to adapt to and compensate for his hearing loss in a way that preserves the audio experience of music. The result is a collection of signal processing algorithms he calls Crescendo. Kyma is one of the tools David uses for testing out new ideas and prototyping them for Crescendo.

Now he’s blogging about his findings on his web site http://refined-audiometrics.com. In keeping with his motto “Keeping music enjoyable for all!” David hopes that his experiences, research findings, and extensive set of algorithms can benefit others.

 

Oct 232016
 

You won’t hear a single starting pistol or popped balloon in Matteo Milani’s Imagined Spaces impulse response library. Instead, the film sound designer imagined and synthesized the impulse responses of imaginary spaces using Kyma 7.

As a result, Imagined Spaces can do more than imbue your tracks with air, depth, and new perspective; it also expands and transforms the original material into something entirely new, something that’s never been heard before — like listening to your tracks in venues that exist only in the mind of the sound designer.

Strange loops

 Broadcast / Webcast, Release, Web site  Comments Off on Strange loops
Sep 282016
 

In Steven Johnson‘s upcoming book, Wonderland: How play made the modern world, he includes a chapter on the connection between musical instrument design and technological innovation. In this episode of his Wonderland podcast, he asks how and why it is that some experimental sounds find their way into the musical mainstream. With special guests Brian Eno, Alex Ross, Caroline Shaw, Carla Scaletti, and Antenes.

Conjuring with Kyma

 Release, Web site  Comments Off on Conjuring with Kyma
Aug 202016
 

Take a nighttime walk through the densely forested uncanny valley of Barton McLean’s imagination, where sounds become amplifiers of horror or wonder, and symphonic landscapes insinuate animal cries and wilderness. Barton McLean’s Night Conjuror is the latest in his series of evocative scores with suggestive accompanying visuals (as McLean reminds us, the visuals are there to set a mood only — the sound is the primary focus).

My goal is to always let the electronic sounds mimic the real world, and the real world sounds mimic the electronic. It is only since I have been working with Kyma 7 that this goal has been realized to the extent I hoped someday it would.

—Barton McLean          

Live from the subconscious of Barton McLean

 Album, Release, Sound Design, Sound for picture, Web site  Comments Off on Live from the subconscious of Barton McLean
Jul 302016
 

Dreamscapes, Barton McLean‘s ambitious new suite of five pieces with video accompaniment, explores the uncanny parallels between music and dream logic.

Symphonic in texture, complexity, and visceral impact, with an impressively broad sonic palette, ranging from quasi-acoustic, to raw electronic, to sounds that are indescribably ambiguous and fresh — electronic yet entirely physically plausible, this all-Kyma soundtrack is electronics with the subtlety and dynamics of acoustic instruments. It’s like listening in on the soundtrack of the universal unconscious.

Liberda, La Berge, and the angels

 Concert, Event, Web site  Comments Off on Liberda, La Berge, and the angels
Jun 232015
 

Bruno Liberda promises to provide another small piece of the puzzle that is the angel universe: A non-singing actor, words that unfold as a monk singing, a new episode of l’angelo della voce awaits. Follow the evolution of this piece on line.

Then, a concert in Vienna for live electronics and flute with Bruno Liberda & Anne La Berge:

Musik für Gönner, Bruno Liberda
Weg nach C, Bruno Liberda
Utter, Anne La Berge

Sunday, July 5 at 21h
Elektro Gönner
Mariahilferstrasse 101 / Schulhofpassage
1060 Wien

The concert is smoke-free to protect the flutist (and the other angels).

Spectral eye of the Kyma guy

 Blog, Sample Library, Sound Design, Web site  Comments Off on Spectral eye of the Kyma guy
Jun 232015
 

"
Gustav Scholda, a.k.a. kymaguy, has just released an extensive set of spectral processing modules, sharing them with the Kyma community! The modules are free with an option to donate through PayPal if you’d like to support further development.

With names like FormantShifter, FractalNoise, PartialDerange, SpectralCentroid and many others, the Scholda modules are encapsulations of signal flows designed to analyze and process the output of live or recorded Kyma spectral sources.

Gustav is also available for private consulting, coaching, and custom module design to help you customize your own spectral processing ideas in Kyma.  In fact, he’s already posted the first of a series of tutorials on how to use his spectral modules: PitchShifting/Bending using the Product1 Module

NeverEngine Labs™ For Kyma Seven

 Blog, Release, Seminar, Sound Design, Web site  Comments Off on NeverEngine Labs™ For Kyma Seven
Jun 192015
 

Build your Kyma 7 mastery and increase your sources of creative inspiration by subscribing to NeverEngine Labs, Cristian Vogel‘s newly launched subscription service offering tools, resources, private instruction, and consulting opportunities designed to help enhance your Kyma 7 productivity and creativity.

NeverEngine Labs offers several “Labs”, each one focused on a different area of the Kyma 7 universe. The Labs are designed to inspire you with creative ideas for music composition and sound design as well expand your knowledge of the power and capabilities of the new Kyma 7.

These Labs are not fixed in function or design (like plug-ins or presets); instead, as a participant, you are encouraged to deconstruct and recombine the Sounds and their inner elements. Help is provided through live communication channels where you, Cristian and fellow subscribers can discuss the content of each Lab and receive regular updates with notes. Subscribing to a NeverEngine Lab is an invitation to engage in listening, curiosity and experimentation, all at your own pace!

Find out how Cristian can help you, your band, or your in-house team get the most from your Kyma system with custom-made workflows and designs.

To find out more about the labs and upcoming announcements, visit NeverEngine Labs.

Nov 232014
 

Tune in your shortwave radio and establish a comm link; Transmission Apparatus is Unidentified Sound Object’s new recombinant construction kit for creating a broad range of communication sounds, from real to “alien” broadcasting signals. The library contains more than 2 GB of data, delivered in 373 files of unique sound material, including radio samples, unintelligible voices and Kyma-synthesized noises.  Here’s an audio demo! 

Unidentified Sound Object is an independent sound effects libraries publisher offering high resolution sound effects and virtual instruments for film, games and music creations, launched by Matteo Milani in 2011. All of the audio files have been loudness-normalized, based on the recommendations of the European Broadcast Union, and embedded with metadata for detailed and accurate searches in your software asset management.

© 2012 the eighth nerve Suffusion theme by Sayontan Sinha