Generative sound design at University of West London

At the invitation of UWL Lecturer Charlie Norton, Carla Scaletti presented a lecture/demonstration on Generative Sound Design in Kyma for students, faculty and guests at University of West London on 14 November 2024. As an unanticipated prelude, Pete Townshend (who, along with Joseph Townshend, works extensively with Kyma) welcomed the Symbolic Sound co-founders to his alma mater and invited attendees to tour the Townshend Studio following the lecture.

After the seminar, graduating MA students Vinayak Arora and Sabin Pavel (hat) posed with Kurt Hebel & Carla Scaletti (center) and Charlie Norton (distant upper right background)
UWL Professor of Music Production Justin Paterson and Trombonist/Composer/Kyma Sound Installation artist Robert Jarvis discuss the extensive collection of instruments in the Townshend Studio

It seems that anywhere you look in the Townshend Studio, you see another rock legend. John Paul Jones (whose most recent live Kyma collaborations include Sons of Chipotle, Minibus Pimps, and Supersilent among others) recognized an old friend from across the room: a Yamaha GX-1 (1975), otherwise known as ‘The Dream Machine’ — the same model JPJ played when touring with Led Zeppelin and when recording the 1979 album “In Through The Out Door”. Yamaha’s first foray into synthesizers, only 10 were ever manufactured; it featured a ribbon controller and a keyboard that could also move laterally for vibrato. Other early adopters included ELP, Stevie Wonder and Abba.

JPJ recollects his days of touring with the GX1 and the roadie who took up temporary accommodation in its huge flight case, as Alan, two students, Bruno and Robert look on.
Charlie Norton with Alan Jackson (back), JP Jones (at Yamaha GX-1), Carla Scaletti & Kurt Hebel in the Townshend Studio
Alan Jackson and Pete Johnston pondering the EMS Vocoder
Composer Bruno Liberda (the tall one) with Symbolic Sound co-founder Carla Scaletti