Sounds of transportation past, present, and imagined future

Audiences will experience Simon Hutchinson‘s music projected from a linear array of 15 giant speakers positioned underneath the 420 ft Boggy Creek overpass in Rosewood park east of Austin Texas on November 19th, 2022 from 6:30-9:30 pm.

Hutchinson is one of six composers commissioned to create works inspired by the past, present and (imagined) future sounds of transportation, utilizing the dramatic sonic movement capabilities of a new sound system designed and built by the Rolling Ryot arts collective to create an immersive audio experience.

“It’s been very interesting to think about what ‘multichannel’ means when channels are spread out across 420 ft, and especially fun problem-solving this in Kyma,” Simon explains, “Using Kyma I’ve set up some sounds to translate across the system very quickly, but in a unified motion. At other times, the panning happens very slowly, so slow that someone walking could outpace the sound as they walk across the space.”

In other sections, Hutchinson treated the individual channels as the individual keys of a giant instrument, and the “melody” traverses the broad, 420-ft space, with each speaker assigned only a single note. More details on this process are revealed in a video on Simon’s youtube channel.

The sound materials for the piece are from field recordings and analog synthesis samples processed through Kyma. Simon “unfolded” ambisonic field recordings across the 15 channel space, worked with mid-side transformations of stereo recordings, and leveraged the multichannel panning of the Kyma Timeline.

The Ghost Line X event is free and open to the public. All ages are welcome, and the audience is encouraged to bring lawn chairs and blankets and to bike or ride-share to Rosewood park.

Bell tones freeze on imaginary ice

On November 28 2022 at the Prater in Vienna, the audience will board a Luftwaggon of the Wiener Riesenrad ferris wheel to experience Bruno Liberda’s new composition still-kreisen-drehen-stehn / frieren die glockentöne am eingebildeten eis (still-circling-turning-standing / bell tones freeze on imaginary ice) for double carillon & Kyma.

Two carillons are played live and fed through Kyma — repeating, turning, or standing still through various granulations, feedbacks, ring modulations, pitch deteriorations, moving reverbs and more — creating a frosty new soundscape, while the public has a moving view over Vienna.

The instruments are artworks in themselves: fully functional carillons created by composer, Bruno Liberda

It’s all part of the AIAIA project Milky Way im Luftwaggon — Wiener Riesenrad

28.11.2022
1. Vorstellung: 18:00 2. Vorstellung: 19:00

Wiener Riesenrad, Riesenradplatz 1, 1020 Wien, Austria
28.11.2022 Wiener Riesenrad, Riesenradplatz 1, 1020 Wien
1. Vorstellung: 18:00
2. Vorstellung: 19:00

Four ferris wheel wagons as floating, circling, stages for works by:
Bruno Liberda, Masao Ono, Anita Steinwidder, Christine Schörkhuber, Verena Dürr, Sophie Eidenberger, Stefanie Prenn.

Und er lässt es gehen
Alles wie es will
Dreht, und seine Leier
steht ihm nimmer still
(Wilhelm Müller, 1824)

I am Violet the Organ Grinder
And I grind all the live long day
I live for the organ, that I am grinding
I´ll die, but I won´t go away
(Prince, 1991)