Circle 6 of Dante’s Inferno contains the fiery tombs of heretical souls, and in the venue for NeverEngineLabs (Cristian Vogel) 6 April octaphonic concert — a car park six floors beneath the Earth’s surface in the Providencia area of Santiago Chile — the lighting appears eerily appropriate.

Pacamara Ristretto audio processing unit in the foreground, several people running mixing consoles in the background

NeverEngineLabs’ live setup in Santiago Chile 2024

Vogel, whose work focuses on experimental electronic music, electroacoustic music, and pushing compositional boundaries beyond style and convention writes “The sound check was a veritable wall of noise, never heard Ambisonics sound so intense… the subs were so full, car alarms were setting off on the floors above!

Cristian’s goals for 2024 and beyond are to explore socially relevant musical narratives that challenge the listener and expand the boundaries of what is possible in experimental electronic music.

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