QUANTUM in India

Award-winning choreographer Gilles Jobin‘s piece, QUANTUM, will be on tour in India at the end of November through early December 2015. Inspired by Jobin’s residency at the CERN laboratory for high-energy physics, the piece incorporates a lumino-kinetic sculpture by Julius von Bismarck and a multichannel Kyma soundscape by Carla Scaletti that includes sonified data from the Large Hadron Collider at CERN performed live by Marie Predour.

Gilles Jobin and his dance company will perform in:

Bangalore on the 26th and 27th of November 2015 at Chowdiah Memorial Hall
New Delhi on 4th and 5th December 2015 at Kamani Auditorium

Gilles Jobin will also lead choreography workshops for dance professionals, students, scholars and/or scientists around the idea of “movement generators” developed during his CERN residency and the creation of QUANTUM:

Bangalore workshop at Attakalari on 26th and 27th of November
Delhi workshop Danceworx on 3rd and 4th of December

The workshops and performances are part of a larger Swissnex India festival of inspiring science, art and innovation.

NeverEngine Labs & Kyma 7 workshop in Milan

Cristian Vogel will be at Dude Club in Milan to present a free workshop on his NeverEngine Labs for Kyma 7:

Saturday 28 November 2015 from 16.00 to 18.00
Dude Club – via Boncompagni, 44 Milano

The workshop is free but space is limited to 25 participants, so please register early if you’d like to ensure your place in the workshop!

Access to the NeverEngine Labs virtual laboratories is through a monthly or yearly subscription; each lab is a library of sounds and instruments for Kyma 7, and each month, they focus on a different aspect of sound design, so you can get a taste of the limitless continuum of sound design that is Kyma 7.

Kyma at ICMC2015

Kyma had a strong presence at the 2015 International Computer Music Conference in Denton Texas, September 25 — October 1, including live performances by

Jeffrey Stolet,
ICMC2015JeffStolet2

Wang Chi,

Jon Bellona,
JP Bellona ICMC2015.jpg

Jon Bellona angst2

and Sun Hua,
Sun Hua ICMC2015.jpg
a keynote lecture by Symbolic Sound president Carla Scaletti,
ICMC2015 keynote Title Slide

ICMC2015 keynote social brain crowd

ICMC2015 keynote IMS to Platypus

ICMC2015 keynote platypus meets capybara Wang photo

ICMC2015 keynote close2

ICMC2015 keynote SSC in 1989

ICMC2015 keynote smiling at laptop2

ICMC2015 keynote output from the brain

ICMC2015 keynote computer musicians predict the future

ICMC2015 keynote making imaginary real

a one-hour Kyma workshop also presented by Scaletti (new music pioneer Larry Austin is seen in the audience at the lower left)
Kyma workshop ICMC2015 photo by Chi Wang

and fixed media pieces by Fred Szymanski and Jinshuo Feng. (If we’ve left anyone out, please let us know!)

Thanks to the ICMC 2015 organizers, presenters, and composers!

Special thanks to the ICMC organizers, Wang Chi, Sun Hua, and Jon Bellona for the photos and Iacopo Sinigaglia for the video excerpt.

Kyma Workshop in Brazil

Berkley-California-based composer/performer, Silvia Matheus, will be presenting a Kyma 7 seminar in Portuguese on October 8th 2015 at 1 pm in room 324 of FASM (Faculdade Santa Marcelina Convida) in São Paolo, Brazil.

Matheus describes Kyma as more than a language, but a complete production system for unique sound design used in the most famous film and sound production studios. In this seminar, she will demonstrate Kyma and provide an overview of the Pacarana system and Kyma language, addressing the numerous possibilities for sound transformation derived from this innovative and complex system.

No prerequisites are required and all compositores, músicos, sonoplastas, pesquisadores, game designers e artistas de som are invited to attend.

Faculdade Santa Marcelina – FASM
R. Dr. Emílio Ribas
89 – Perdizes
São Paulo – SP, 05006-020, Brazil
+55 11 3824-5800

A little night music

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A Little Night Music is an evening of Visualized Music—films composed to music (rather than music composed for films) featuring videos by Roxanne Rea in collaboration with composers Bill Rea, Debra Kaye, and the owner of Kyma system serial number 1: Dick Robinson!

Sycamore Place Gallery

120 Sycamore Place
Decatur GA 30030

October 10, 2015
at 8:30 p.m.

Suggested Donation $15

Stanley Cowell @ Smoke NYC

Described by the New York Times as “A pianist of deep authority and resolute purpose”, Stanley Cowell will be in New York City this weekend with his quartet (Bruce Williams [saxophone & flute], Stanley Cowell [piano], Jay Anderson [bass], Victor Lewis [drums]) for a 3-day gig/CD release party at the Smoke jazz and supper club, 1-4 October 2015.

Cowell is also featured in the October issue of Jazz Times Magazine where he also describes how he uses Kyma in live performance and was just interviewed on WKCR radio).

If you’re in New York, be sure to check out his Smoke debut so you’ll be able to hear (among other things) Cowell using Kyma to do live harmonization of the piano. At 7, 9 and 10:30 p.m., Smoke, 2751 Broadway, at 106th Street, 212-864-6662, smokejazz.com.

According to the Smoke web site,

Smoking is not permitted at the club, or at any venue in NYC for that matter. But the music will be smokin’ for sure.

Anne La Berge, sound hero

Screen Shot 2015-06-25 at 11.37.58 AMFlutist/composer Anne La Berge is featured on the cover of the July 2015 issue of freiStil magazine. Inside, an in-depth interview delves into Anne’s history, music, and politics.

When asked about her electronic beginnings, she recounts, “My first electronic instrument was the microphone. To this I owe some of the most magical aspects of my sound: whistling, harmonies, echoes of vowels and consonants, to name just a few.” She soon started to expand on those effects with hardware like the Clavia Micro Modular, then the Clavia Nord Modular G2, and now “currently I am a passionate Kyma system user… I do most of my pieces in conjunction with a Kyma. I am fascinated by the expansion of the flute sounds by electronics. I really appreciate auxiliary means for obtaining an incredible dynamic range. Sometimes in an ensemble situation, the flute can’t be heard. So I’ve developed sound patches that allow me to be heard in almost any musical situation.”

Anne can be heard performing her live Kyma-processed flute compositions at the Berlin Heroines of Sound festival in 10-12 July.