Jun 042019
 

Sound designers, electronic/computer musicians and researchers are invited to join us in Busan South Korea 29 August through 1 September 2019 for the 11th annual Kyma International Sound Symposium (KISS2019) — four days and nights of hands-on workshops, live electronic music performances, and research presentations on the theme: Resonance (공명).

Link where you can download the Korean, Japanese, or Chinese version of the poster.

“Resonance”, from the Latin words resonare (re-sound) and resonantia (echo), can be the result of an actual physical reflection, of an electronic feedback loop (as in an analog filter), or even the result of “bouncing” ideas off each other during a collaboration. When we say that an idea “resonates”, it suggests that we may even think of our minds as physical systems that can vibrate in sympathy to familiar concepts or ideas.

Photo by Belinda J Carr

At KISS2019, the concept of resonance will be explored through an opening concert dedicated to “ecosystemic” electronics (live performances in which all sounds are derived from the natural resonances of the concert hall interacting with the electronic resonances of speaker-microphone loops), through paper sessions dedicated to modal synthesis and the implementation of virtual analog filters in Kyma, through live music performances based on gravity waves, sympathetic brain waves, the resonances of found objects, the resonance of the Earth excited by an earthquake, and in a final rooftop concert for massive corrugaphone orchestra processed through Kyma, where the entire audience will get to perform together by swinging resonant tubes around their heads to experience collective resonance.

Sounds of Busan — two hands-on workshops open to all participants — focus on the sounds and datasets of the host city: Busan, South Korea. In part one, participants will take time series data from Busan Metropolitan City (for example, barometric pressure and sea level changes) and map those data into sound in order to answer the question: can we use our ears (as well as our eyes) to help discover patterns in data? In part two, participants will learn how to record, process, and manipulate 3d audio field recordings of Busan for virtual and augmented reality applications.

Several live performances also focus on the host city: a piece celebrating the impact of shipping containers on the international economy and on the port city of Busan; a piece inspired by Samul nori, traditional Korean folk music, in which four performers will play a large gong fitted with contact mics to create feedback loops; and a live performance of variations on the Korean folk song: Milyang Arirang, using hidden Markov models.

Hands-on Practice-based Workshops
In addition to a daily program of technical presentations and nightly concerts (https://kiss2019.symbolicsound.com/program-overview/), afternoons at KISS2019 are devoted to palindromic concerts (where composer/performers share technical tips immediately following the performance) and hands-on workshops open to all participants, including:

• Sounds of Busan I: DATA SONIFICATION
What do the past 10 years of meteorological data sound like? In this hands-on session, we will take time series data related to the city of Busan and map the data to sound. Can we hear patterns in data that we might not otherwise detect?

Photo by Belinda J Carr

• The Shape Atlas: MATHS FOR CONTROLLING SOUND
How can you control the way sound parameters evolve over time? Participants will work together to compile a dictionary associating control signal shapes with mathematical functions of time for controlling sound parameters.

• Sounds of Busan II: 3D SOUND TECHNIQUES
Starting with a collection of 3D ambisonic recordings from various locations in and around Busan, we will learn how to process, spatialize, mix down for interactive binaural presentation for games and VR.

Photo by Belinda J Carr

Networking Opportunities
Participants can engage with presenters and fellow symposiasts during informal discussions after presentations, workshops, and concerts over coffee, tea, lunches and dinners (all included with registration). After the symposium, participants can join their new-found professional contacts and friends on a tour of Busan (as a special benefit for people who register before July 1).

 

Sponsors and Organizers
Daedong College Department of New Music (http://eng.daedong.ac.kr/main.do)
Dankook University Department of New Music (http://www.dankook.ac.kr/en/web/international)
Symbolic Sound Corporation (https://kyma.symbolicsound.com/)
Busan Metropolitan City (http://english.busan.go.kr/index)

For more information
Questions
Website
Facebook
Twitter:

Registration
Student and early registration discounts are available for those registering prior to 1 July 2019

Photo by Belinda J Carr

Apr 242018
 

Photo by Dr. Javier Alejandro González Ortega

After the 2010 El Mayor Cucapah 7.2 magnitude earthquake in northern Mexico, seismologist Alejandro González Ortega interviewed Don Chayo, a Cucapah native who witnessed the surface rupture. When Don Chayo drew parallels to the origin stories of the Cucapah people, González began to wonder if these stories may have recounted earlier seismic events that had been passed down over the generations.

Over the next several years, González and his colleague, choreographer/physicist Minerva Muñoz, created a performance piece based on 3D seismological data collected by 12 measurement stations during the event. Muñoz enlisted the help of composer Carla Scaletti to map the data to sound using Kyma and artist David Olivares to map the data to video using Unity.

As Muñez and González conducted further research and interviews with the Cucapah elders, a much more disturbing story began to emerge — that of a displaced people whose livelihood was being cut off and whose very language was being forgotten. What had originally been intended as a science/art collaboration about seismic activity began to morph into a deeper metaphor for displacement, disruption and loss.

The result — Wí Shpá, A journey in bare feet — is a poem in movement, images, sounds and words that explores pilgrimage, displacement, change, the relationship of humans with the environment, transformation and resilience.

The sound and visuals were created from seismological data and satellite geodesics of the El Cucapah Mw 7.2 earthquake that occurred on April 4, 2010. Consistent in many details with the cosmogony myths narrated by Don Chayo that had been passed down over generations, El Mayor-Cucapah Mw 7.2 was the most intense earthquake recorded in this region over the last century.

Wí Shpá, A journey in bare feet is an elegy to the ancestors and to the women and men of today; to the people of the river, of the earth, fire and wind. It is a glimpse into a universe in which animals are gods, and meaning is associated with each of the four cardinal directions, colors, the power of nature and of the land.

“Cosmogony of an Event, El Mayor Cucapah Mw 7.2” is an inter and trans disciplinary dialog of artistic creation and research combining the myths of Cucapah cosmogenesis and the scientific studies of El Mayor-Cucapah Mw 7.2, weaving a network of collaboration, tradition, scientific research, knowledge and experiences, but above all, creating a dialog between scientists, artists, native community, collaborators and the general public who participate in this live performance/ritual.

Credits:

Direction, stage creation and interpretation: Minerva Muñoz *
Production: Alejandro González, Minerva Muñoz / La Machina Productions
Scenic Advisor: Jorge Folgueira
Lighting: Minerva Muñoz
Composition and sound design: Carla Scaletti
Visual Art: David Olivares
Video: Marco Meza, Rommel Vázquez
Aerial Video (drone): Alejandro González
Photography: Alfredo Ruiz and Rommel Vázquez
Science: Javier González-García and Alejandro González
Audio Engineer: Rommel Vázquez
Scenography: Leoncio García
Makeup: Rosario Martínez
Lighting technician: Miguel Tamayo
Communication and networks: Stephanie Lozano
Support: Juan Sánchez

Course on Design Patterns for Sound and Music

 Data-driven sound, Seminar, Sound Design, Sound for picture  Comments Off on Course on Design Patterns for Sound and Music
Nov 022017
 

Music 507 Design Patterns for Sound and Music. The art of sound design is vast, but there are certain patterns that seem to come up over and over again. Once you start to recognize those patterns, you can immediately apply them in new situations and start combining them to create your own sound design and live performance environments. We will look at design patterns that show up in audio synthesis and processing, parameter control logic, and live performance environments, all in the context of the Kyma sound design environment.

Registration open starting November 2017 (course starts in January 2018)
Music 507 Spring 2018
Mondays, 7:00 – 8:50 pm
Music Building 4th floor, Experimental Music Studios
University of Illinois Urbana-Champaign

Experiencing the near-universe as sound

 Data-driven sound, Event, Installation  Comments Off on Experiencing the near-universe as sound
Oct 232016
 

Robert Jarvis‘ sound art installation aroundNorth allows listeners to experience the near
universe as they have never heard it before. As the Earth spins on its axis, and day becomes night becomes day, our view of the near universe changes in terms of the changing positions of the stars in the sky. One star appears to stay stationary (the North Star); and the rest take about 23 hours 56 minutes and 4 seconds to complete a full revolution.
‘aroundNorth’ offers listeners an opportunity to hear this phenomenon in real time. As each star crosses equally spaced virtual lines emanating from Celestial North Pole, a corresponding sound is heard that maps the star’s position in the sky, size, distance from Earth, brightness and temperature, creating a mesmerising sound map of the universe as viewed by our turning planet.

‘aroundNorth’ humanizes the astronomical, giving us an emotional key to help us relate the unfathomable heavens to our own experiences of time and space. With echoes of a Neolithic monument of ancient myth, the installation introduces us to a universe full of interest, encouraging us to think differently about the cosmos and our place within it.

Jarvis presented his installation on 15 October 2016 in a rather neolithic setting — the Beaghmore Stones Circle complex, preceded by an installation performance at Antrim Castle Gardens.

For more information, future showings, or to invite Robert Jarvis to create an aroundNorth experience in your city, see the aroundNorth web site.

Kyma Klub of Santa Cruz

 Data-driven sound, Event, Learning, Seminar  Comments Off on Kyma Klub of Santa Cruz
Feb 112016
 

When PhD candidate Madison Heying discovered there was a Kyma system at the University of California at Santa Cruz and that Kristin Erickson, Technical Coordinator of the Digital Arts & New Media center also had a personal Kyma system, they decided to organize the Kyma Klub — an informal group of students and staff members who meet weekly to read through Kyma X Revealed and teach themselves Kyma. The first public performance by club members was AQULAQUTAQU — a sci-fi operetta by Madison Heying & Kristin Erickson (voice & Kyma) with Matthew Galvin (voice & video), David Kant (voice), and Maya Galvin (narrator) — that they premiered at KISS2015 in Bozeman Montana (home of first contact).

In early February 2016, UCSC faculty composer Larry Polansky invited Kyma creators Carla Scaletti and Kurt Hebel to UC Santa Cruz where Carla presented a graduate colloquium on data sonification and a seminar on sound design in Kyma 7.

Here, Madison and Kristin are presenting some of the generative algorithms they implemented in Kyma for AQULAQUTAQU:

Madison Heying, Kristin Erickson Carla & Kurt UCSC 2016

After the seminar, the Kyma Klub invited Kurt and Carla to Kristin’s studio where David Kant interviewed Kurt,

Kurt Kristin Carla David UCSC 2016

and Kristin Erickson interviewed Carla, while Matthew Galvin filmed their responses in front of a green screen for an as-yet-undisclosed proposal the Kyma Klub members have in mind to make for KISS2016.

Kristin Erickson interviewing Carla Scaletti UCSC 2016

Note the special blacklight Kyma Klub T-shirts (with matching event posters) designed and printed by Kristin and Madison for the visit.

carla on madison & kristin greenscreen UCSC 2016

Spirals within spirals

 Concert, Data-driven sound, Event  Comments Off on Spirals within spirals
Jan 302016
 

Carlos Alberto Augusto’s new opera — “TMIE: on the threshold of the outside world” (TMIE is an acronym for Trans Membrane Inner Ear) — for soprano and electronic track, interleaves three stories of audition and spirals. A single soprano plays three women — a Selene goddess, a deaf astronomer named Henrietta Leavitt who “heard what the stars were telling her”, and Beverly Biderman, a Canadian who underwent cochlear implant surgery to regain the pleasure of music.

Augusto produced the electronic track entirely in Kyma using roulette curves applied to different sonic parameters.

The libretto is based, among other texts, on books by Beverly Biderman and George Johnson.

The work, a Miso Music Portugal production with support from Widex Portugal, premiers on February 25th in Lisbon at the O’culto da Ajuda venue with two more performances on the 26th and 27th, and will start touring Portugal later this year.

 

 

Kyma had a strong presence at the 2015 International Computer Music Conference in Denton Texas, September 25 — October 1, including live performances by

Jeffrey Stolet,
ICMC2015JeffStolet2

Wang Chi,

Jon Bellona,
JP Bellona ICMC2015.jpg

Jon Bellona angst2

and Sun Hua,
Sun Hua ICMC2015.jpg
a keynote lecture by Symbolic Sound president Carla Scaletti,
ICMC2015 keynote Title Slide

ICMC2015 keynote social brain crowd

ICMC2015 keynote IMS to Platypus

ICMC2015 keynote platypus meets capybara Wang photo

ICMC2015 keynote close2

ICMC2015 keynote SSC in 1989

ICMC2015 keynote smiling at laptop2

ICMC2015 keynote output from the brain

ICMC2015 keynote computer musicians predict the future

ICMC2015 keynote making imaginary real

a one-hour Kyma workshop also presented by Scaletti (new music pioneer Larry Austin is seen in the audience at the lower left)
Kyma workshop ICMC2015 photo by Chi Wang

and fixed media pieces by Fred Szymanski and Jinshuo Feng. (If we’ve left anyone out, please let us know!)

Thanks to the ICMC 2015 organizers, presenters, and composers!

Special thanks to the ICMC organizers, Wang Chi, Sun Hua, and Jon Bellona for the photos and Iacopo Sinigaglia for the video excerpt.

QUANTUM in the desert: art, science, technology & collaboration

 Dance, Data-driven sound, Festival, Science, Video  Comments Off on QUANTUM in the desert: art, science, technology & collaboration
Mar 302015
 

In April 2015, QUANTUM, the dance piece Jobin created inspired by his residency at CERN, will be touring northern Mexico including Culiacan, Hermosillo, Tijuana, Ensenada and Mexicali. Technical director Marie Predour will be running the live sound for the piece using a Kyma 7 Timeline.

Choreographer Gilles Jobin took a moment to talk a little about the piece, to explain his ideas on algorithmic choreography and to reflect on collaboration, art, science, and technology.

 

What’s interesting about technology is not so much the technology as a tool, but technology as a new way of thinking — as a different way to organize your work or to think about your work. The same is true when choreographers work with scientists or with musicians. There is a kind of exchange of practices that is enriching for everybody.

14 April Culiacan РFestival Danza Jos̩ Limon

16 April Hermosillo – Un Desierto Para La Danza

19 April Tijuana – Cuerpos in Transito

21 April Ensenada – Espuma Cuantica

23 April Mexicali – Entre Fronteras

27 April to 2 May Torreon – Gilles Jobin will be on the jury for Premio Nacional Guillermo Arriaga

aroundNorth around Northern Ireland

 Concert, Data-driven sound, Event, Installation  Comments Off on aroundNorth around Northern Ireland
Mar 092015
 

If the stars were a musical instrument, how would they sound? As the Earth spins on its axis, and day becomes night becomes day, our view on the near universe changes as reflected by the changing positions of the stars in the sky. One star appears to stay stationary (the North Star); and the rest take about 23 hours 56 minutes and 4 seconds to complete one complete revolution. Robert Jarvis’ aroundNorth is an eight-channel sound installation created entirely in Kyma 7 that offers listeners an opportunity to hear this phenomenon in real time. As each star crosses one of the equally spaced virtual lines emanating from Celestial North Pole, a sound associated with that star and its characteristics is heard at the corresponding position in the sky, its size, its distance from Earth, its brightness and its temperature, creating a mesmerizing sound map of the universe as viewed by our turning planet.

aroundNorth, will be touring Northern Ireland throughout the month of March 2015, culminating in the work’s permanent installation at Armagh Observatory. The tour begins on the shores of Lough Neagh, at Oxford Island, the first Dark Sky site in Northern Ireland, proceed to the top of Divis & the Black Mountain National Trust Park, and then on to Armagh. The installation will also travel to Colin Allotments in West Belfast before travelling to Derry for a special performance to coincide with the deep partial eclipse of the sun on the morning of Friday 20th March 2015. There will then be an evening performance in the sports grounds at St Cecila’s College before the final event at the spectacular Beaghmore Stones complex, near Cookstown in County Tyrone.

By mapping the parameters of the stars through the medium of sound, aroundNorth changes the way we think about our stellar neighbors. As stars move across the score’s virtual lines, brighter stars sound longer, fading in and fading out as they move across the score’s virtual lines, while fainter stars sound shorter; stars that are closer sound louder; hotter stars crackle corresponding to their heat; and, bigger stars sound deeper whilst smaller stars are higher sounding.

aroundNorth humanizes the astronomical, giving us an emotional key to help us relate the unfathomable heavens to our own experiences of time and space. With echoes of a Neolithic monument of ancient myth, the installation introduces us to a universe full of interest, encouraging us to think differently about the cosmos and our place within it.

Scroll down for a full schedule of when and where you can experience aroundNorth this month.

THU 12
Lough Neagh Discovery Centre, Oxford Island, Craigavon BT66 6NJ
FREE 7pm – 9pm

SAT 14
Divis & the Black Mountain, Divis Road, Hannahstown BT17 0NG
FREE 6.30pm – 9pm (Approx 20 minute walk to installation area)

TUE 17
Armagh Observatory, College Hill, Armagh BT61 9DG
FREE 2.30pm – 4pm

WED 18
Colin Allotments, Upper Colin Glen Rd, Belfast BT17 0LR
FREE 7pm – 9pm

THU 19
Armagh Observatory, College Hill, Armagh BT61 9DG
FREE 2.30pm – 4pm

FRI 20
St Cecilia’s College Sports Ground, Fanad Drive, Derry BT48 9QE
FREE 7pm – 9pm

SAT 21
Beaghmore Stones, Blackrock Road, Cookstown BT80 9PB
FREE 6pm – 9pm (Visitors required to walk over rough ground)

MON 23 & EVERY MON, TUE, WED, THU & FRI until further notice
Armagh Observatory, College Hill, Armagh BT61 9DG
FREE 9.30am – 5pm

What if the stars made music

 Concert, Data-driven sound, Event, Installation, Science  Comments Off on What if the stars made music
Jan 282014
 

Outdoor Culture presents Sounds of the Night Sky featuring Robert Jarvis‘ sound installation: aroundNorth, opening Thursday 20 February 2014 6.30-9.30 pm at the National Trust Stowe New Inn Farm Buckingham MK18 5EQ

This outdoor event will showcase the premier of Robert Jarvis’ new sound art installation, aroundNorth, a piece that was shortlisted for the 2010 PRS New Music Award.  A multi-speaker sound map of the stars driven by the turning of the Earth, aroundNorth uses Kyma to transform the night sky into a celestial music box rotating around Polaris, the North Star. As each star passes a virtual line in the sky, it triggers a musical note whose qualities are determined by the star’s spectrum, mass, brightness and distance from earth, creating a mesmerising sound map of the universe as viewed from our rotating planet.

Visitors will be accompanied down Bell Gate Drive on foot and into the gardens of Stowe after dark, before entering the semi-wilderness of the newly-opened Lamport Garden where the sounds of moving stars will be created like a giant celestial music box! Dress for the outdoors and bring a flashlight!  Click here for more information and tickets.

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