Exploding Tickets at the Loft

The Exploding Tickets (Robert Landfermann – Bass ; Christian Lillinger – Drums ; Matthias Schubert – Saxophone ; Eckard Vossas – Kyma) are performing at the LOFT in Cologne on October 22, 2012 in a freely improvised, expressive, energetic, spontaneous and impulsive set of encounters between uncommon electronic sound experiments and natural instruments.

Eckard Vossas uses his Kyma system, controlled and tweaked by a Continuum Fingerboard and various other controllers like iPads and pedals, to create a unique individual style of improvised electronic music, sensitively modulating synthesized and artificial sound material with his fingertips, transforming and performing with the same expressivity as his acoustic improvisation partners with whom these sound transformations hold an intensive dialogue. It can be fascinating to hear how new and different the acoustic instruments – Saxophone, Bass, Percussion – can sound when they are confronted with experimental electronic timbres!

Concert at the LOFT starts at 20:30 (ticket information).

SoundProofing

SoundProof (Patricia Strange, violin; Stephen Ruppenthal, trumpet, flugelhorn, & voice; Brian Belet, viola, voice, and Kyma processing) have just embarked on a multi-city tour of the midwest culminating in the opening concert for the EMM festival on October 11 2012.

EMM will also feature the world premiere of Belet’s new percussion/Kyma composition on Saturday October 13 and a performance of Hua Sun’s Impression of Tibet for Wacom Tablet controlling Kyma on October 12.

The full SoundProof concert schedule includes:

Monday, October 1st: Bowling Green State University (Bryan Recital Hall, Moore Musical Arts Center), 8pm

Thursday, October 4th: College-Conservatory of Music, University of Cincinnati (Watson Recital Hall, Corbett Center), 8pm

Tuesday, October 9th: Ohio University, Athens (Recital Hall – Gldn 400, School of Music), 8pm

Thursday, October 11th: Electronic Music Midwest festival – opening concert (Lewis University, Romeoville, IL), 7:30 pm

The concerts feature interactive Kyma pieces composed specifically for the ensemble by Brian Belet, Bruno Liberda, Stephen Ruppenthal, Jeffrey Stolet. Each concert also includes a ’15 Minutes of Fame’ set featuring one-minute works by 15 composers including Brian Belet, Mark Phillips, Scott Miller, and Michael Wittgraf.

Kyma Symposium in St Cloud

Fascinating papers, lively concerts, entertaining hands-on workshops, and conversations that carried on late into each night made KISS2012, the fourth annual Kyma International Sound Symposium, an inspiring and invigorating experience for all.

The symposium was covered by several local news outlets (click on photos to read the stories):

 

 

 

Hua Sun and Kurt Hebel perform the annual ritual for KISS2012

Here’s a slideshow of photos from the event:

 

For more details on the event, please see the official KISS2012 site and Kyma Symposium on Facebook.

A Midsummer Night’s Supersilent

Supersilent, described as the stylistic intersection of Miles Davis, Tangerine Dream, Sonic Youth and Stockhausen has been collaborating with influential bassist/producer/composer John Paul Jones (Led Zeppelin, Them Crooked Vultures) on a new project that takes the group to a complex and intensely powerful sonic space. The group performed at the Hafensommer Festival in Würzburg on August 1, 2012.  Check out the photo gallery on the official Hafensommer blog (and look for a shot of JPJ, pick in mouth, controlling Kyma from his iPad).

In an interview with the Main Post, JPJ revealed to the interviewers that he had attended kindergarten in Würzburg, so this was something of a homecoming for him.

As critic John Kelman wrote of the collaboration at All About Jazz:

It sounded, in fact, as if they’d been playing together for years, as Jones moved around the neck to create, deep, visceral and snaking lines beneath Sten’s sonic manipulation, Storløkken textural excursions and otherworldly electronic melodism, and Henriksen, who moved from kit to trumpet growl to falsetto and harsher to pocket trumpet (…) All of Which makes Supersilent a unique experience (…) a definitive moment in the history of the festival (…)

Future Music’s Summer Academy of Electronic Music

Professor Jeffrey Stolet and post graduate teaching assistant Chi Wang

This year’s Summer Academy of Electronic Music, directed by Professor Jeffrey Stolet at Future Music Oregon, welcomed 5 faculty members from the Central Conservatory of Music in Beijing, the Shenyang Conservatory of Music and the Sichuan Conservatory of Music.  The faculty members, along with students from their schools and from Peking University and the National Academy of Chinese Theater Arts, immersed themselves in Kyma, recording techniques, sound synthesis, and composition in a two week intensive seminar based on Professor Stolet’s text, Kyma and the SumOfSines Disco Club, now available in both English and Mandarin Chinese.

Professor Stolet was assisted this year by three of his current and former graduate students: Chi Wang, Jon Bellona, and Hua Sun (see photo on left).

The Summer Academy culminated in a final concert featuring 20 compositions, all completed by students over the course of the two-week course.

Professor Jeffrey Stolet, academy student Yang Fan, & Professor Yang Wanjun

If you missed the summer academy, you still have a chance to learn about Kyma.  During the fall semester 2012, Professor Stolet and his former masters degree student Chi Wang will be presenting Kyma seminars at the Central Conservatory of Music in Beijing, the Shenyang Conservatory of Music and Sichuan Conservatory of Music.

Minibus Pimps in London on Friday the 13th

Tridecaphiles can celebrate at Cafe OTO with the UK premiere of the Minibus Pimps on Friday July 13, 2012; doors open at 8 pm.  The first event in a new series at Cafe OTO co-curated by Norway’s Ny Musikk organisation and OTO projects will feature the Minibus Pimps – a new collaborative project between legendary UK musician John Paul Jones and prolific Norwegian producer/musician Helge Sten (Deathprod and Supersilent). The pair explore ravishing, intricate noise via a set-up of guitar/bass, Kyma, iPads, and more. The evening will open with an appearance by prepared piano/electronics and percussion duo, Steve Noble and Sebastian Lexer. Tickets are £10 in advance, £12 at the door.

Cafe OTO
18 – 22 Ashwin street
Dalston
London E8 3DL
UK

The White Crane

Composer Silvia Matheus will be participating in the 2012 Garden of Memory at the Chapel of the Chimes with White Cranes, a performance piece in collaboration with Laura Glen Louis, poet, and William Thibault, video artist, and Maria Matheus, visual artist and designer, who made many of the paper cranes. The concept for this concert is inspired by the story of Sadako Sasaki (instigated by Maria Matheus and Silvia Matheus in conversation on Skype). Sadako Sasaki was a Hiroshima survivor at age 2, who later developed leukemia. The Japanese story is that anyone who folds a thousand cranes will be granted a wish; sadly, she fell short before she died at age twelve.

Silvia will be folding cranes prior to the performance and invites you to fold a crane and make a wish. During the performance, Laura will be reading poems from her chapbook, “Some, like elephants”, accompanied by visuals created by William Thibault and an electronic music score with live Kyma signal processing that Silvia composed, inspired by Laura’s poems (one of which talks briefly about Sadako). There will be white origami paper printed by Maria Matheus marking the paths to our performance space.

Please visit the Garden of Memory website for a list of all performers, and for ticket information. Events run simultaneously and you are encouraged to walk around to sample anything that strikes you. You will find White Cranes in the Chapel of the Chimes by entering through the main door and follow the white cranes upstairs. Please, check the time schedule when you arrive; the plan is for the performances to be at 6-7 pm and 8-9pm. Seating in the chapel is limited, so, please be prepared to stand:

21 June 2012
6-7 pm and 8-9 pm
Chapel Of The Chimes
4499 Piedmont Ave
Oakland, CA 94611
(510) 654-0123

JPJ + Supersilent at Sonar

Prepare for possible disruptions in the Earth’s magnetic field in the vicinity of Barcelona on June 15 2012 when Supersilent joins forces with John Paul Jones at the Sonar festival for a live performance that may feature as many as four Kyma systems on stage!  Be prepared for wormhole effects as the electronic improvisers start spinning their dense clouds of sci-fi jazz and colliding super-massive visceral sound objects into each other.

In the words of reviewer, David Broc at playgroundmag.net: “…those who found a way through the thick jungle of dark drones, schizophrenic bass lines and undefinable structures, found themselves in one of the most intense moments of the day. ”

Photo by David Broc

John Paul Jones, one of the earliest discoverers of Kyma, has been composing, producing, and performing with Kyma and influencing its development for nearly two decades.  Jones has been working with Helge Sten for the past 3 years, and together they’re taking Kyma into dangerously powerful new sonic territories; last year, the Kyma meme infected two more members of the group: StÃ¥le Storløkken (keyboards, synth, electronics) and Arve Henriksen (trumpet, voice, drums, electronics), so at this point it’s on the verge of a pandemic.

Miller and the robots

Composer Scott Miller has been selected to write new music for Kyma and EMMI: a trio of self-playing acoustic robots created by Troy Rogers, Steven Kemper and Scott Barton. (Rogers studied with Scott Miller at St Cloud State University and Jeffrey Stolet at the University of Oregon and is currently pursuing a doctorate at the University of Virginia).

In Détente, Miller will be using Kyma to create an ecosystemic environment for the acoustic robots and exploring the limits of real-time amplitude and frequency modulation by forcing them to perform audio-rate tremolo and trills. The new work is scheduled for performance at the Sound and Music Computing conference on the Music for Robots concert on 14 July 2012.