La Berge Touring North America

 Concert, Event, Sound for picture  Comments Off on La Berge Touring North America
Feb 202017
 

Composer/Performers Anne La Berge and David Dramm are touring North America from the end of February through March 2017.  This is your chance to catch a live performance of Anne’s controversial Utter — for flute, multiple iPads and Kyma — and discover for yourself why Utter generated such intense post-concert discussion at KISS2016.

Here are the dates (in reverse chronological order so scroll down for the upcoming dates):

11 March 2017
San Francisco Center For New Music
San Francisco

10 March 2017
Indexical Concert
Radius Gallery
Tannery Arts Center
Santa Cruz
20.00

6 March 2017
Composition Colloquim with David Dramm
UC Santa Cruz
13.20 – 14.50

1 – 4 March 2017
Residency with David Dramm
Brigham Young University
3 March – La Berge solo concert
Madsen Recital Hall
19.30

28 February 2017
Solo concert
Music on Main
Vancouver
20.00

24 February 2017
INsphere
Vancouver

23 February 2017
Elastic Arts concert
with
Sam Pluta, Dana Jessen and Katherine Young
Elastic Arts, Chicago
21.00

21 February 2017
Compostion Seminar
University of Chicago

Between What Is and What Could Be…

 Concert, Event  Comments Off on Between What Is and What Could Be…
Feb 142017
 

The Hearding Cats Collective presents Between What Is and What Could Be, a concert in celebration of the 80th birthday of their co-founder and artistic director, Rich O’Donnell.

Director of the Washington University Electronic Music Studio in St. Louis, Rich O’Donnell’s musical career spans over six decades, including 43 years as principal percussionist with the St. Louis Symphony. O’Donnell is also a prolific composer, innovator and inventor of percussion and electronic instruments, a producer, a teacher and a writer.

Between What Is and What Could Be spans 47 years of creative work, from O’Donnell’s 1970 MikroTimbre I solo for amplified TamTam, to free improvisation in the present moment with the Symprov Trio, an ensemble of virtuoso current and former St. Louis Symphony Orchestra musicians Asako Kuboki (violin) and Timothy Myers (trombone), and includes interludes featuring O’Donnell’s virtual drumming on Wiimote and nunchuck to accompany Casper McElwee’s 3D Anaglyph video and live poetry performance by Anna Lum.  It’s a major birthday, so there will be other surprises as well!

Rich O 80 logo
Sunday, 26 February – 7:30pm
The Sheldon Ballroom, 3648 Washington
St. Louis, Missouri USA
General Admission $20, Student and Artist $15
Please RSVP

Visit the Hearding Cats Collective site for full details.

Just Call Me God!

 Concert, Event, Play, Sound Design  Comments Off on Just Call Me God!
Feb 132017
 

In Just Call Me God! John Malkovich plays a megalomaniacal dictator teetering on the brink of madness in a one-man show exploring the idea that absolute power corrupts absolutely.


Martin Haselböck (organ) and Franz Danksagmüeller (composer/organist, LinnStrument and Kyma processing) — respond to Malkovich’s words with music by Bach, Wagner and Schubert — in a confrontation of words against music. At one point, Danksagmüller even uses Kyma to merge the voice of Malkovich with the timbre of the organ, allowing the actor to speak with the voice of a mighty pipe organ — every power-mad dictator’s dream!

On tour this spring in Europe and Russia, the group is arranging bring their message to a worldwide audience early in 2018.

08-10 March 2017
Hamburg, Elbphilharmonie

12-13 March 2017
Vienna, Konzerthaus

15 March 2017
Amsterdam, Concertgebouw

18 March 2017
Groningen, De Oosterport

21 March 2017
Birmingham, Symphony Hall

23-25 March 2017
London, Union Chapel

28 March 2017
Luxembourg, Philharmonie

2 April 2017
Moscow, House of Music

4 April 2017
Budapest, Palace of Arts

9 April, 2017
Munich, Residenztheater

Transformation of fear

 Concert, Event, Festival, Sound for picture  Comments Off on Transformation of fear
Nov 092016
 

Kurt Schwitters Ursonate is a testament against war, nationalism, protectionism and establishment. In Landscapes of a voice, Roland Kuit seeks to transform his own fears into beauty by combining Schwitter’s poetry processed through Kyma with visuals by Karin Schomaker. In the face of his fears that progress has come to an end and the only thing left is degradation, Kuit seeks to create disruptive art, creating a peregrination through the human soul, finding new values in an impellent quadraphonic terrain of vocal spectra.

Roland Kuit – Kyma, voice 
Karin Schomaker – visuals

Hear it December 3-4 2016 at the Festival Internacional de Música Experimental en Vallecas, Sonikas XIV, Centro Cultural Lope de Vega, Madrid, Spain

Experiencing the near-universe as sound

 Data-driven sound, Event, Installation  Comments Off on Experiencing the near-universe as sound
Oct 232016
 

Robert Jarvis‘ sound art installation aroundNorth allows listeners to experience the near
universe as they have never heard it before. As the Earth spins on its axis, and day becomes night becomes day, our view of the near universe changes in terms of the changing positions of the stars in the sky. One star appears to stay stationary (the North Star); and the rest take about 23 hours 56 minutes and 4 seconds to complete a full revolution.
‘aroundNorth’ offers listeners an opportunity to hear this phenomenon in real time. As each star crosses equally spaced virtual lines emanating from Celestial North Pole, a corresponding sound is heard that maps the star’s position in the sky, size, distance from Earth, brightness and temperature, creating a mesmerising sound map of the universe as viewed by our turning planet.

‘aroundNorth’ humanizes the astronomical, giving us an emotional key to help us relate the unfathomable heavens to our own experiences of time and space. With echoes of a Neolithic monument of ancient myth, the installation introduces us to a universe full of interest, encouraging us to think differently about the cosmos and our place within it.

Jarvis presented his installation on 15 October 2016 in a rather neolithic setting — the Beaghmore Stones Circle complex, preceded by an installation performance at Antrim Castle Gardens.

For more information, future showings, or to invite Robert Jarvis to create an aroundNorth experience in your city, see the aroundNorth web site.

Resistance & irritation in Berlin

 Event, Seminar  Comments Off on Resistance & irritation in Berlin
Sep 262016
 

So-called new music is an aesthetic of resistance, of irritation, and self-reflection. In contrast to the visual arts, in which abstract and contextual works have long been accepted as a matter of course, the analogous musical experience continues to be difficult. So Schoenberg’s prognosis that his works would be understood 50 years down the road has remained illusory.


Bruno Liberda is a composer, promoter and performer. His lecture UNERHÖRT! 3000 (0) years new music is a tour de force through the history of sound systems, instrument developments and notation, and leads us to a new focus on hearing.

Text and Lecture: Bruno Liberda
Idea, development and scenic means: Fanny Brunner

A co-production of dreizehnterjanuar Wien and Wiener Klangwerkstatt. Funded by the Austrian Cultural Forum Berlin

TMIE — mediating the inner and outer sound worlds

 Concert, Event, Play  Comments Off on TMIE — mediating the inner and outer sound worlds
Sep 262016
 

img_0304

Carlos Alberto Augusto’s new opera “TMIE, on the threshold of the outside world” just had a successful premiere in Lisbon on Thursday September 8th, 2016, at the O’culto da Ajuda; so successful in fact, that they added two additional performances! Apparently, the sound quality of the 10-track Kyma-generated score also attracted attention and appreciation from composers in the audience.

The 51 minute work was entirely composed in Kyma and is dedicated to Portuguese soprano Marina Pacheco who performs three roles over the course of the opera — Meretseger, who loves silence; Selene, who drives her silver chariot through the skies and vibrates to the beats of the stars; and Corypheaus who listens and tries to interpret their dialog.

The TMIE gene (Transmembrane Inner Ear) is implicated in the development of the cochlea and in the synthesis of a protein that mediates between the outer acoustic environment and the inner sound world of the auditory nerve and the auditory cortex of the brain; in the opera, TMIE serves as a metaphor for the interface between the inner and outer self.

For more details and contact information on how to program this work, please see Augusto’s fascinating program notes and news site.

How technology & music mutually influence each other

 Blog, Conference, Event, Seminar  Comments Off on How technology & music mutually influence each other
Aug 232016
 

What would happen if you sat the designers of Reaktor, the LinnStrument, Ableton Live, and Kyma down together on a couch and asked them to talk about how music influences technology, how technology influences music, and what exactly is a musical instrument anyway? That’s what happened at the 2015 Loop Summit. Dennis DeSantis (author of Making Music and moderator of the discussion) wrote this summary with video clips.

Screen Shot 2016-08-23 at 9.09.18 PM

One man’s junk is another man’s musical instrument

 Concert, Conference, Festival, Sound for picture  Comments Off on One man’s junk is another man’s musical instrument
Aug 232016
 

Since childhood, composer/performer Franz Danksagmüller has been fascinated with the rich, interesting sound palette one can create from broken, discarded and so-called unplayable instruments. In 2013, on a visit to a local junkyard, he noticed a strange metal object that immediately captured his attention.

Screen Shot 2016-08-23 at 8.31.39 PM

Read the story of how he added contact mics and sensors and developed a bowing technique to transform this strange object (which he later discovered was part of a device for food preservation) into a new musical instrument that sends both audio and MIDI control data to Kyma.

Screen Shot 2016-08-23 at 8.35.28 PM
You can hear this mysterious and beautiful instrument performed live at KISS2016, when Danksagmüller and composer/performer/computer scientist John Mantegna perform their new piece — The Artificial Brain!
Screen Shot 2016-08-23 at 8.35.55 PM

Composer on a NASA mission

 Broadcast / Webcast, Event, Science, Sound Design, Sound Recording  Comments Off on Composer on a NASA mission
Jul 122016
 

Composer Roland Kuit was recently interviewed on the prime time news program SBS 6 Hart van Nederland to discuss his Kyma sound explorations that will be launched into space on September 8, 2016 on NASA’s OSIRIS-REx mission to the near-earth asteroid Bennu.

While his music is being launched into space on September 8 2016, Kuit will be at the Kyma International Sound Symposium in Leicester, UK presenting his music and ideas along with filmmaker Karin Schomaker so you’ll have an opportunity to meet and talk with him at KISS2016.

© 2012 the eighth nerve Suffusion theme by Sayontan Sinha