Carla Scaletti, creator of the Kyma language and co-founder of Symbolic Sound, was invited to present the closing keynote for the 2024 Audio Developer Conference in Bristol, UK on 13 November 2024.
Scaletti spoke about strategies for exploring the boundary between the known and the unknown through “recursive construction” and reminded software developers that the risky kinds of thinking required for creating something truly new are best supported by facing the unknown together.
She also touched on some of the design decisions behind the Kyma Sound (why it is a function, rather than a wiring diagram), the ways in which a user-interface defines an explorable universe of computable sound, the influence of programming languages on what you can imagine and create, and the co-evolution of the Kyma hardware and software.
An annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems, ADC’s mission is to help attendees acquire and develop new skills, and build a network that will support their career development. It also showcases academic research and facilitates collaborations between research and industry. ADC will begin releasing videos of the ADC 2024 presentations on YouTube, beginning in 2025.
Ping Pong Percussion represents a new, hybrid art form created by experimental composer / visual artist, Giuseppe Tamborrino and featuring a robotic instrument that he designed and built.
Part robot, part sound sculpture, part musical composition, part video art — Ping Pong Percussion Experimental Sampling with Wifi Servo Motor & Live Granular Synthesis. Laterza (TA) 2024-10-6 blends robotically-actuated acoustic percussion sounds with live Kyma granular synthesis and leads the viewer on a path from real world to imaginary visuals.
Giuseppe Tamborrino’s Wi-Fi servo motor-controlled sound sculpture
In his compositions, Laterza-based composer Giuseppe Tamborrino combines jazz scales, Greek modes and personalized scales with partially tonal, tonal and non-tonal timbres, blended with instrumental acoustic effects. Each work takes a different form, some are stochastically shaped, others reflect the golden section, others take on algorithmic structures experimentally generated by custom software for computer music and sound.
On Friday afternoon, 15 November 2024, Pete Johnston (software department) and Michael Aitchison (head of R&D) invited Carla Scaletti to present a seminar on sound synthesis for the R&D team at DiGiCo.
Following the lecture, Pete Johnston (who routinely prototypes and tests new signal processing algorithms in Kyma first before implementing them on the embedded processors in the live consoles) led the guests on a tour of DiGiCo’s testing facility and answered questions about the fully redundant, live fall-back dual consoles and the on-call 24/7 worldwide user support that DiGiCo provides for their live pro consoles.
Matt, Carla, Alan, Pete, and Robin discussing Capytalk expressions after the lecture at DiGiCo
Portland-based multimedia artist William Selman’s 8 November 2024 album, The Light Moves Between, poses the question: “Can scenes from the Pacific Northwest of America connect us to entities in distant universes, or are we listening to William’s unique processing of his own surroundings?”
Various Kyma techniques can be heard on each track, with cross-synthesis emerging as Selman’s personal favorite. Here are a few details you can listen for on the album:
“Outshone the Sun”
Sunspots are caused by intense magnetic fields emerging from the interior. Image created by NASA.
Inspired by sunspots and electromagnetic interference reminiscent of the sounds of popping air bubbles that barnacles make during low tide, Selman used a frequency shifter in Kyma to modulate the Serge New Timbral Oscillator for the sharp droning tones near the beginning to match the character of the shortwave radio sounds. Much of the bed of textures in the second half of the piece is made by cross-filtering field recordings of barnacles against shortwave radio recordings.
“Kept in Banks and Vessels”
For the triangle and singing bowl sounds, Selman designed a Jaap-Vink-inspired feedback Sound in Kyma to create the drones. For the final section, he cross-filtered Serge sounds with frog sounds that he recorded in Hawaii. The warbly animal call sounds are made in Kyma with an Oscillator and a LossyIntegrator.
“Flutter at the False Light”
Here you can hear a Kyma frequency shifter modulating various electromagnetic field recordings made near the composer’s house. The bed of textures for the ambience are cross-filtered sounds from recordings made with contact mics in his studio space and on his windows.
“New Topographics”
The last track was inspired by American landscape photographers and photos of empty, non-places primarily in the American West. Selman recorded sounds such as birds, wind storms, electrical lines, and water wells in the Central Oregon high desert. He used a cross filter patch made by Pete Johnston and Alan Jackson during the Kyma Kata sessions, which he finds particularly useful for creating a stream of sounds that flow seamlessly from one into another. Other instrumental elements include a Serge synthesizer, organ, and bowed (and hit) vibraphone.
The Light Moves Between represents Selman’s return to visual work following a long hiatus — this time around, he is bringing his visuals together with his sound work. The first three tracks on the album were written to accompany three short films. Although the first one (“Outshone the Sun”) has been set aside, the second and third pieces are complete and can be viewed on Vimeo:
In October 2024, Franz Danksagmüller, along with his students from the Royal Academy of Music, performed a live soundtrack for pipe organ and Kyma to accompany the silent film Nosferatu twice in London: The first performance, on 4 October 2024, was at the Royal Academy, and the second performance was on Halloween at the cathedral in St. Albans to a sold-out audience and was, by all accounts, a fantastic success (resulting in some very happy students).
St. Albans organ loft during live soundtrack for “Nosferatu” with Kyma Control on the iPadAudience for the sold-out performance of Nosferatu at St. Albans (view from behind the projection screen)Students of Franz Danksagmüller performing the live soundtrack for Nosferatu at St. AlbansEntryway to St. Albans Cathedral
At the Musikhochschule Lübeck, Danksagmüller’s students in the new master’s program in Hyper-organ, Improvisation, Composition & New Media are presenting a concert for organ, Kyma and live-video on 8 December 2024 in the main concert hall at the MHK. Composer/performers include:
Sarah Proske: Emerson, Lake and Palmer´s “Fanfare for the common man for organ, percussion, live electronics
Patrycja Olszewska: Liquid Motion for organ, live electronics, video
Lennart Pries: Improvisation for the silent film “The Fall of the House of Usher (USA 1927) for organ and live electronics
Karin Lorenz: (Un-)Known for organ and electronics
Sarah Proske: smoke for organ, live electronics and video
Valentin Manß & Wojciech Buczyński: crowds, live & death, Music for (historical) silent film excerpts for organ, live electronics, video
Fabio Paiano: á la ELP for organ and live electronics
Smitha Vishveshwara, Latrelle Bright, Stephen Taylor are CASCaDe (Collective for Arts-Science, Creativity and Discovery, etc)
In the play Quantum Voyages, by Smitha Vishveshwara and Latrelle Bright, two voyagers enter the microscopic realm of atomic landscapes and quantum conundrums and, guided by Sapienza, discover a magnificent and baffling world where they confront terrifying prospects of being Dead and Alive at the same time, glide through diaphanous orbitals of atoms, levitate above superconducting surfaces, and precess through Magnetic Resonant Imaging machines. Finally they emerge, awakened to the microworlds within us and the affirmation that things are never what they seem.
Kyma is used for generating complex spectra and other sounds to represent the Schroedinger equation and for work with extended tuning systems. The premiere will be in Anaheim on 15 March 2025, with a second performance at Krannert Center for the Performing Arts at the University of Illinois on 19 April 2025.
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* The Spinductor is an instrument that sends OSC messages to Kyma and was created by Xavier Davenport
The latest Kyma 7 software update introduces new Sounds and Capytalk expressions to enhance the versatility of file-based, time-indexed sound design, 130x faster app switching, and more!
Kyma 7.43f6, released 3 October 2024, delivers a 130x speed-up in inter-application switching on macOS and Windows computers — a dramatic performance boost to smooth out your workflow and enhance your productivity.
In addition to the speed-up, this update introduces two new Capytalk expressions for ramp functions with loop points, providing greater flexibility and control over live Sound parameters.
Two new Sounds — TimeIndexForSamples with a Frequency (rather than Rate) field to control the playback speed of a sample selected from a list of sample file names and TimeIndexForFileNames which can select from among multiple FileNames — enhance the versatility of file-based, time-indexed sound design (including samples, PSI analyses, spectral analyses, sampleClouds).
Check the Prototypes for examples using these new Sounds:
SampleWithTimeIndex !Frequency
SampleWithTimeIndex !Rate
MultiSampleWithTimeIndex !Rate
MultiSampleWithTimeIndex !KeyPitch
Non-harmonic MultiSpectrum with TimeIndex
Kyma 7.43f6 also includes a host of other improvements and feature requests, all designed to make your sound design experience ever more enjoyable.
Unlock all the speed and other enhancements by downloading the new version from the Help menu in Kyma 7 today.
Symbolic Sound co-founders Carla Scaletti and Kurt Hebel will be participating in the Audio Developer Conference in Bristol, UK 11-13 November 2024. The conference offers both in-person and online options. An online, pre-conference event called ADCx Gather on 1 November 2024 is free and open to the public.
Carla was asked to wrap up the conference with a closing keynote presentation entitled Sonic Cartography: how audio developers help us navigate the abstract space-time of sound and music (including a few insights into the underlying philosophy of Kyma).
Silvia Matheus will be performing with Kyma in Oakland California on 20 October 2024. A computer and electronic music composer, sound artist, and improviser, Silvia is teaming up with Ric Louchard, a pianist, composer, and improviser, to create The VisitoR: a performance where electronics and acoustics meet and interact.
The VisitoR goes beyond a simple two-person conversation, embracing a lively interplay of free-flowing actions. Matheus has designed hybrid environments with multiple speakers, allowing the musicians to move in and out at their own pace and engage as they wish. This setup encourages spontaneous interactions that evolve based on each participant’s desire to immerse themselves. Her soundscape blends the algorithmically generated sounds from Kyma with fixed composed material and layers in live-processed acoustic elements to create a rich and dynamic auditory experience.
The concert is part of the WEST OAKLAND SOUND SERIES, a weekly new music and experimental sound series in the Dresher Ensemble Studio:
Sunday 20 October 2024
Dresher Ensemble Studio
2201 Poplar Street
Oakland California
Future Music Oregon composers — past and present — brought their signature brand of live interactive electronic music performance to the Musicacoustica Hangzhu 2024 conference in September.
Characterized by custom controllers, exceptional Kyma sound design, live interactive graphics, and virtuosic stage presence, their performances left a lasting impression on the audience of fellow electroacoustic music composers. So much so, that rumor has it that the University of Oregon Summer Academy for electronic music (on hiatus due to pandemic disruptions) may resume this summer, opening the door to future collaborations among US and Chinese musicians.
Some highlights follow (photos, courtesy of Musicacoustica Hangzhu):
“Realm” composed and performed by Fang WAN, professor at Hangzhou Conservatory of Music“Summoner” for Leap Motion and custom software created with Max and Kyma, composed and performed by Mei-ling Lee, professor at Haverford College“Balance” for Kyma, Max, and GameTrak composed and performed by Jeffrey Stolet, professor at University of Oregon“Dimension reduction approach in the context of real time sound synthesis” a talk by Chi WANG, professor at Indiana University“Beyond Landscape” for contact microphone, Dry Garden, and Kyma, composed and performed by Tao LI, doctoral student at University of Oregon“Fusion of Horizons” for Nintendo Ring-Con, Joy-Con, Max & Kyma, composed & performed by Chi WANG, professor at Indiana University“Summoner” for Leap Motion and custom software created with Max and Kyma, composed and performed by Mei-ling Lee, professor at Haverford College“Developing Musical Intuition as a Pathway for Creating Artificial Intelligence Models” a talk by Jeffrey Stolet, professor at University of OregonGametrak Trio: Jeffrey Stolet performs with his former graduate students, Fang WAN (currently professor at Hangzhu Conservatory CN) and Chi WANG (currently professor at Indiana University)
