Composer on a NASA mission

 Broadcast / Webcast, Event, Science, Sound Design, Sound Recording  Comments Off on Composer on a NASA mission
Jul 122016
 

Composer Roland Kuit was recently interviewed on the prime time news program SBS 6 Hart van Nederland to discuss his Kyma sound explorations that will be launched into space on September 8, 2016 on NASA’s OSIRIS-REx mission to the near-earth asteroid Bennu.

While his music is being launched into space on September 8 2016, Kuit will be at the Kyma International Sound Symposium in Leicester, UK presenting his music and ideas along with filmmaker Karin Schomaker so you’ll have an opportunity to meet and talk with him at KISS2016.

Silvia Matheus at CMMR in Brazil

 Conference, Event, Festival, Learning, Seminar, Sound Design  Comments Off on Silvia Matheus at CMMR in Brazil
Jun 282016
 


Composer/sound designer Silvia Matheus is one of the presenters on the scientific program of the 12th International Symposium on Computer Music Multidisciplinary Research (CMMR2016) in São Paulo, Brazil on 05-08 July 2016. Matheus’ talk, State of Art in Sound Design, Production and Synthesis will include an opportunity for conference attendees to learn more about how Silvia uses Kyma in her sound design and composition work and to interact directly with her Kyma 7/Pacarana system.

Chad Mossholder’s Doom

 Game, Release, Sound Design  Comments Off on Chad Mossholder’s Doom
Jun 272016
 


The latest incarnation of Doom features “badass demons, big effing guns, and moving really fast” and thanks to sound designer/composer/writer Chad Mossholder, Kyma-enhanced sound design!

Extreme sound design, radical electronic music & the coming hardware revolution

 Blog, Broadcast / Webcast, Interview, Sound Design  Comments Off on Extreme sound design, radical electronic music & the coming hardware revolution
Jun 272016
 

Extreme sound design, radical electronic music, and the impending hardware revolution — Darwin Grosse recently sat down with Symbolic Sound’s Carla Scaletti, and the resulting conversation took some unexpected turns. Listen to the full podcast on Darwin Grosse’s Art + Music + Technology podcast.

KISS2016: Emergence

 Concert, Conference, Event, Festival  Comments Off on KISS2016: Emergence
Jun 272016
 

Emergence — it’s what a complex system of interconnected agents can do collectively that they could not do in isolation. Emergence goes beyond the idea that the whole is greater than the sum of its parts — emergence arises from the relationships among those parts. Emergence is that seemingly magical moment when an unanticipated novel behavior or dynamic pattern arises from a complex network of simple components and rules.

Symbolic Sound, in partnership with De Montfort University’s Faculty of Art, Design and Humanities; the Music, Technology and Innovation Research Centre, and the Performance Research Group, invite you to participate in the eighth annual Kyma International Sound Symposium and to explore emergence with an international gathering of Kyma practitioners ranging from experts to aspiring experts and including many who have never used Kyma before and are simply curious.

Get the inspiration, support and professional connections to motivate and energize you for the rest of the year. Join us at the Kyma International Sound Symposium (KISS2016) — 7-10 September 2016 in Leicester, UK — as we explore the concept of “Emergence” through 4 days and nights of words, live musical performances, open labs, and interactive discussions.

Unique features of this year’s program include an improvised conduction performance by the Emergent Ensemble; a 3-D sound immersion lecture/concert in De Montfort University’s 20+ speaker DOME; a 3-D film with a live sound track; workshops on ecosystemic composition; collaborations across international and disciplinary borders; and a celebratory club concert featuring live Kyma with acoustic instruments, vocals and analog synthesis.

Live performances featuring some of the most cutting edge music composed with Kyma this year, lectures where Kyma practitioners share their insights and reveal a few of their secrets, master classes and labs led by the creators of Kyma; and the unparalleled camaraderie and inspiration from your fellow sound and music explorers — these are some of the regular features of KISS that inspire people to return to KISS year after year.

Explore the full program here: http://kiss2016.symbolicsound.com/program/

Register now to immerse yourself in the fun, hands-on creative technology environment that will inspire you for years to come! http://kiss2016.symbolicsound.com/kiss2016-registration

Based on current registration levels, we are anticipating a record turn-out this year. So please be sure to reserve your spot by registering as soon as possible. Do it today so it doesn’t get forgotten on your to-do list. (Please be advised that there is a strict upper limit on attendance based on the venue sizes). Thanks!

Photos by Belinda B Carr.

Never Engine Labs announces Multicycle wavetable Tools for Kyma 7

 Release, Sample Library, Software, Sound Design  Comments Off on Never Engine Labs announces Multicycle wavetable Tools for Kyma 7
Jun 272016
 

NeverEngine Labs (Cristian Vogel and Gustav Scholda) have announced a new set of classes and tools for creating and manipulating multicycle wavetables and audiofiles with embedded markers in Kyma 7. The new ROM tools can be used for creating multisample players and to prepare audio files for morphing oscillators, grain envelopes and wavetable libraries.

Available from: http://www.cristianvogel.com/neverenginelabs/product/rom-tools

Kyma creator on the cover of Computer Music Journal

 Magazine, Research publication, Review  Comments Off on Kyma creator on the cover of Computer Music Journal
Apr 062016
 


The Spring 2016 issue of Computer Music Journal (Volume 40 Issue 1) includes a transcript of Carla Scaletti‘s keynote address for the 41st International Computer Music Conference.

In Looking Back, Looking Forward, Scaletti uses mythology, evolutionary anthropology, nostalgia research and a story about the origins of Kyma to illustrate the idea that software is “hardware with cognitive fluidity”.

 

The Listening Back, Listening Forward issue marks the beginning of Computer Music Journal‘s 40th year of publication and, citing recent research showing that nostalgia enhances creativity, CMJ editor Douglas Keislar invites readers to share their own computer music stories for possible publication as letters to the editor throughout this anniversary year.

Also in this issue: Silvia Matheus reviews The Seventh KYMA International Sound Symposium (KISS2015)!

Белые сны Dusha

 Album, Release, Sound Recording  Comments Off on Белые сны Dusha
Apr 032016
 

Anna Martinova’s new album Белые сны Dusha is now available on iTunes.

Luxuriously ambient tone paintings with just a touch of frozen exhalation from the arctic, the music on Dusha is as uplifting as it is peace-inducing. A continuation of The Soul project and Martinova’s Tulpa psygressive work, Dusha is also heavily influenced by her discovery of Kyma.
 
 

I must say it is such a pleasure to work with Kyma, so incredibly inspiring.

Martinova works by generating WAV files in Kyma, arranging them in Logic, adding melodic lines created with Alchemy, and finally layering in recorded vocals using Logic. This is the first album on which we get to hear Anna’s vocals (all recorded at night, when her child is asleep and her cat isn’t jumping on the speakers).

Martinova is already hard at work on two more albums in the series. As a taste of what’s in store, here’s a song from the second album in the series Душа / The Soul. The music came to Martinova in a dream after she learned that a dear friend was experiencing a tough situation; she heard this music as a link connecting her to her friend:

Lectures & Concerts at BYU

 Concert, Seminar  Comments Off on Lectures & Concerts at BYU
Mar 062016
 

Composer/performer, Steven Ricks invited Carla Scaletti to Brigham Young University for the week of March 7 to work with his students, present lectures, and participate in two concerts. Here’s the full schedule:

Tuesday, March 8
Barlow Lecture: “Data-driven”
3PM at BYU (E400 Harris Fine Arts Center, 50-minute lecture)

Wednesday, March 9
“Computer Music” Looking back/looking forward
11AM E400 HFAC, 50-minute lecture

Thursday, March 10
Overview of Kyma 7
11AM at BYU Electronic Music Studio

Thursday, March 10
Group for New Music, featuring works by Scaletti, Adler, Cage, Pärt
7:30PM BYU Madsen Recital Hall

Friday, March 11
Concert
7:30 PM Art 270 Gallery
Salt Lake City

ICMC2015 keynote smiling at laptop2

The ear as an organ of knowledge

 Concert, Event  Comments Off on The ear as an organ of knowledge
Mar 062016
 

Unerhört! 3000(0) Jahre Neue Musik

So-called new music employs the aesthetic of resistance, of irritation, of reflection. But why, in comparison to the visual arts, is the abstract and contextual musical work still so difficult? Schoenberg’s prediction that his work would be understood in 50 years is today still an illusion…

The ear develops over time from mere alarm organ via the detour of seduction toward the organ of knowledge, a harrowing perspective on the inner and outer world.

Liberda is a composer, promoter and performer. His Lecture Performance is a tour de force through the history of sound systems, instrument development and notation systems towards a new theory of hearing.

Text and Performance: Bruno Liberda
Idea, development and scenic design: Fanny Brunner
Dramaturgical assistance: Hans-Jürgen Captain
Graphics: Klemens Wihlidal
Duration: 80 minutes

Premiere: March 12, 20:00 // Ateliertheater, Burggasse 72, 1070 Wien // 12 Euro
Box office at 19:00 // Reservations at 0681 819 630 or 62 office@ateliertheater.eu
A co-production of january thirteenth Vienna and Wiener Klangwerkstatt.

© 2012 the eighth nerve Suffusion theme by Sayontan Sinha