Vogel at the Redbull Music Academy

 Conference, Event, Festival, Seminar, Sound Design  Comments Off on Vogel at the Redbull Music Academy
Oct 292011
 

Cristian Vogel will be talking about NeverEngine and Kyma as a recombinant artists’ expert system at the Redbull Music Academy in Madrid on Saturday, 29 October 2011.  For the rest of the workshop, he’ll be dissecting one of the Kyma Sounds he uses for live performance.  The session is open to the public.

Minibus Pimps’ Debut

 Concert, Conference, Event, Festival, Learning, Seminar  Comments Off on Minibus Pimps’ Debut
Aug 142011
 

John Paul Jones and Helge Sten (Deathprod) are the Minibus Pimps, a newly formed experimental electronic duo scheduled to debut at the Punkt Festival in Norway on 3 September, closely followed by an EU debut in Porto Portugal on 16 September at KISS2011.

Inspired by their recent collaboration in Supersilent, Jones and Sten employ electronics, samplers, processors, instruments, iPads and two Kyma systems to create instrumental improvisations ranging from the intricate to the ferocious!

This July, JPJ joined forces with Supersilent for an experimental electronics set at the Moldejazz Festival:

Minibus Pimps’ premiere performance is on 3 September Saturday evening at 22:00 at Punkt preceded by a lecture/demonstration seminar on how they are utilizing Kyma at noon at the University of Agder.

John Paul Jones & Supersilent

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Jul 192011
 

John Paul Jones will once again join forces with Helge Sten and Supersilent, this time for a performance at the Molde International Jazz Festival in Norway on 19 July 2011.

JPJ’s Kyma-enhanced bass is a fitting addition to Supersilent’s signature use of synthesis, looping, theremins, and Helge Sten’s own Kyma sound designs.  Jones’ first collaboration with Supersilent was at last year’s Punkt Festival, prompting John Kelman to write in All About Jazz:

…this was no conventional bass solo, as Jones began with relatively normal textures, but gradually moved to greater extremes, using ring modulation to create oblique harmonies, overdrive to create dense textures, and assorted other effects to create a piece that ebbed and flowed, building to periodic climaxes only to settle and begin the climb once again. Beautiful chords gave way to angular expressionism, as Jones delivered a short set that, for those unfamiliar with his post-Zep work, must have been a shock to the system, but set a clear context for the collaboration with Supersilent to follow.

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